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Abstract: In
2002, the Moroccan communication authorities laid the legal platform of the
audiovisual liberalization project. Four years later, the media landscape
witnessed the birth of the first generation of private radio stations which
were followed by the second generation three years later. Public media did no
more benefit from the monopoly privilege. Instead, the media landscape was
submerged by a constellation of alternatives attempting to forge a distinctive
identity that would help achieve the largest audience. The real competition
occurred between not only the private stations but also the public and private
ones. This
article examines the relationship between specialized media programs and the
audience perceptions and attitudes. It puts under analysis the pioneering
performance of radio Mohamed VI of the holy Koran as it is the only Moroccan
radio station specialized in the Islamic religion. Throughout 11 years of
broadcast, and with regard to the audience rate measurement bulletins, the
station has consistently managed to outrun the others by realizing the highest
audience rates. The study is based on field research that investigates the
elements and reasons behind the station’s success; it also uses the conclusions
and implications as references to scrutinize the dyadic relationship between
Moroccans and their Muslim identity. The study is inspired from the audience
rate bulletin published by Radio CIRAD which has confirmed it as a leading
media model. This finding has also been solidified by the population sample
that took part in the present study. The study adopts the mixed approach bringing together both quantitative and qualitative research instruments. The former includes CIRAD’s statistical platform whereas the latter refers to semi structured interviews recorded with 50 participants. The study seeks to answer two research questions namely (i) What are Moroccans’ perceptions and attitudes towards Radio M6 of the holy Koran? (ii) What are the underlying reasons behind its prevalence? |
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